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Wallpapered Land
Gabriela will be looking for those traces in the ripped wallpaper at the cannibal lot.
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Gabriela García-Luna
Gabriela García-Luna is a multimedia artist of Mexican origin based in Saskatchewan, Canada.
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Suspended Histories
“Suspended Histories” is an immersive installation that explores the intersection of memory, cultural history, and the land we inhabit.
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Jon Fiddler
Jon Fiddler is a two-spirit nîhithaw and Canadian designer/visual artist whose work seeks to interrogate systems of power and imperialism.
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jelly/respectulchild
respectfulchild 敬兒 is a solo violin project based on Treaty 6 Territory.
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Alexandra (Libby) Flynn
Alexandra (Libby) Flynn is a law professor, mom and friend living in Vancouver, BC.
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Decompose/Recompose
Since early January, the Sower has been inhabiting the cannibal lot. Peas have been planted inside walls and in troughs, and are slowly taking over the space.
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Laura St. Pierre
Laura St. Pierre lives and works on Treaty 6 Territory. Her home incorporates a studio, native plant and food garden, and a refuge for insects, birds and wild creatures.
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Uncanny Valley
For the Cannibal Lot iteration of Uncanny Valley, I used the history of past tenants to recreate three rooms of the house, throughout three decades of history.
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Myra & Zavi
Myra is a teacher, a maker and a good neighbor; Zavi is a kindergarten student, an artist and a good friend.
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Nourishment Becomes Us
The blanching of greens, the washing of rice and scrubbing potatoes, the frying of fish, and the skinning of beans. It is those moments that have shaped me most as ethereal, magical days.
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Gabby Da Silva
Born and raised in Saskatoon SK, to a multicultural family of Portuguese and Canadian descent; a (dis)abled artist fascinated with the collaboration between digital and physical mediums.
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Carey Shaw
A professional photographer for the past 25 years, Carey Shaw (she/her) is based in Saskatoon, Saskatchewan, Treaty 6.
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Shared Echoes
This collaborative residency is an opportunity to explore familial connection, growth and loss through personal art-making that overlaps in a small space.
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Bone Rattle
With a quadraphonic surround soundsystem gold resonates the structure in a rhythmic and musical way.
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Cannibal Lot Reflections
Long ago, I used to think that if I were ever in a position to have a title to a parcel of land, it would not be for personal gain but some utopian dream.
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Recipe Brick 1 & 2
Grab a handful of mixture and form a ball about the size of a lime.
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Making a Sculpture
Laura Hosaluk and Ashle Fauvre were paired up as collaborators to engage with the canniballot through the lens of their respective practices.
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Ashle Fauvre
She leads with designs that bring phenomenal and impressive experiences of place into everyday life.
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Laura Hosaluk
Hosaluk is interested in exploring the power of installation art and its potential impact on her artistic practice.